Rabu, 03 Mei 2017

[PDF] Raccolta Blood of Victory: A Novel by Alan Furst (2003-05-13)- [PDF] Collection




[PDF] Raccolta -Blood of Victory: A Novel by Alan Furst (2003-05-13)- [PDF] Collection


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Blood of Victory: A Novel by Alan Furst (2003-05-13)

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  • Published on: 1838
  • Binding: Paperback

Customer Reviews

Most Helpful Customer Reviews

0 of 0 people found the following review helpful.
3A plodding story, but with wonderful characters and sense of place
By Julia Flyte
Alan Furst has written fourteen books set in Europe in the 1930s and 1940s. They form the "Night Soldiers" series and while they are loosely inter-connected, each is a standalone novels in its own right. Blood of Victory is set between November 1940-July 1941 and is about a British plot to disrupt the supply of Romanian oil to the Germans. Our hero is Serebin, a writer and journalist, originally from Odessa but now living in Paris.This book showcases both what is good about Furst's writing and what is not so good. He has a wonderful economical writing style - he can pack more into a short paragraph than almost any other author I know. He creates a world full of richly realised characters and brings the settings to life with telling details. His stories are fictional but they feel real.However as with so many of his books, the storyline takes a back seat to the characters and settings. There are long periods in this book where you kind of wonder where its going or what is the point of the little story we've got waylaid in. Sometimes, masterfully, he will weave it back in 100 pages down the track, but at other times it's just about creating layers of atmosphere, building up a scene in depth. Generally I like this aspect of his writing but this time round it felt like he'd let it go a little too far. The pace is sluggish and the plot seems murky right up until the final 40 pages, which are densely packed with heart in your mouth action.

32 of 35 people found the following review helpful.
5Surprising
By A customer
I'm not a particular fan of spy stories, and I picked this book up without any great expectations. However I was pleasantly surprised. This is not genre writing as such, rather good literature. It is well written, has strong, well drawn characters, and has the knack of creating totally believable and engrossing scenes. The setting is interesting, and I was very impressed with the historical detail, and the knowledgeable interpretation of complex events. Perhaps best of all, however, was the way the book captured the alienation of individuals exiled from their own countries, drawn into a web of espionage in order to resist the Nazis. No simple judgements here, just a fine slice of realistic writing. I shall be reading anything by Alan Furst I can lay my hands on, and recommending him to anyone who will listen!

11 of 12 people found the following review helpful.
3Not His Best Outing
By A. Ross
This is the fifth of Furst's seven WWII espionage novels I've read, and not one of his best. To be sure, it has all the trademarks of his work: good writing, dedication to period detail, oppressive and dreary atmosphere, exotic locales (Paris, Istanbul, Odessa, Belgrade, etc.), a middle-aged loner protagonist caught up in the espionage intrigues of the time, love interest, a blurry web of operatives. But that's the problem—if you've read a few of his books, you've basically read this one. The characters (especially the heroes) in his books are all starting to run together rather distressingly, and he's over-reliant on atmosphere to carry the minimally plotted stories. What's worse is that the pace of this one is absolutely glacial, there's barely any thrill in the thriller!The gist here is that in 1940 the Allies are desperate to interdict German access to the vital Romanian oil fields. Having tried to sabotage them once before, they're faced with a tough problem. Paris-based Russian émigré writer I.A. Serebin is drawn into a plot to resurrect an old spy network in an attempt to strike a blow. However, Serebin's recruitment into this venture is never really convincing, and the weaving of the plot is so oblique that it's hard to get drawn in. It's as if Furst is so faithful to building the shadow world that his characters live in that he's forgotten about the reader. Which is not to say this is an awful book or anything, just that he's written better and might benefit from straying a little further from the European theater he's set seven books in.

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